Tate Modern

TATE MODERN

1. I really like the logo of the Tate Modern in the sense that there is more than one version of it.  I think the versions are similar enough that people are able to understand they represent the same thing- one idea, one unity.  The variation leaves room for interpretation.  Does the variation from the Tate Britain show that this museum has a slightly more variable, more modern appeal?  That is up to each museum-goer to decide.  I think it's a nice twist on an otherwise somewhat boring logo.  As I stated last week, however, I enjoy the continuity the "Tate" museum logos have- it makes it feel like they are all one large museum.

2. The expensive admission cost to museums in the United States certainly does stop people from attending them.  The high prices are disappointing, especially after being in London and being able to experience all the museums for free.  Having free admissions to British museums definitely adds some beauty and appreciation to the culture.  It is shown all around Britain- in modern day architecture, color, and design- that all these different museums have a large impact on everyday life.  I enjoy seeing the groups of school children at the museums because they are learning to appreciate such a beautiful aspect of life at such a young age.

3. The Unilever Series is definitely a deep, unique piece of art.  It is hard to understand the relevance at first glance, but when first approaching the exhibits there is definitely an overwhelming feel.  To be an individual in a sea of so many faces is, just that- overwhelming.  To believe in something enough to want to change it is, however, accomplishable.  It may be more difficult than any one person could imagine, but one step at a time can begin to overcome any challenge.  The work may not even be finished in your lifetime- but standing for what you believe in is not something to be underestimated.  Seeing those collections of porcelein objects was suggesting strength in numbers, yet each small piece was unique and beautiful.

4. The white coloring between exhibits is definitely an enhancement of the images.  Modern art is the only kind of art I can see this working for, because in order to truly appreciate some of the paintings you must be able to captivate each piece by itself.  Any other sort of color, bordering, or design would interrupt with the ability to truly understand the work of art. 

5. The interior of the building was definitely impressive.  There are some large modern works of art on display, and there was definitely enough space to not feel chlostrophobic.  The inside was all very modern looking, beginning with the staircase that could be seen when you first walked in to the building.  There were a lot of glass windows that let in sunlight to really accentuate the pieces.  The outside I wasn't quite as fond of.  It seemed a little dreary, though the location is absolutely awesome.  I also really enjoyed traveling the Millennium Bridge before the entrance- I'm not sure if the placement of this bridge by the Tate Modern was on purpose or not- but it really enhanced the "modern" feel to the museum. 

6. I really enjoyed the upper-level cafe/restaurant at the Tate Modern.  The view of the historic city of London as well as the River Thames was really impressive.  It was a really nice, relaxed atmosphere and an impressive food/beverage selection.  There were a lot of seating options, and, needless to say, an outstanding view from any of the seats.  Hanging out in the seventh floor cafe after viewing some awesome museum exhibits was a really good time, and something I would look into doing again.